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Soy (ubiquitous) — Maxime Bichon
Modestes et verticaux — Maxime Bichon
Undulate — Maxime Bichon
Like a Flag Within a Frame — Maxime Bichon
Tropical leaf — Maxime Bichon
Always Away — Maxime Bichon
DZ (Tallard) — Maxime Bichon

DZ (Tallard)

Humidificateur Thé — Maxime Bichon
Humidificateur Thé View — Maxime Bichon Humidificateur Thé View — Maxime Bichon Humidificateur Thé View — Maxime Bichon
Stealing Attitude (Midnight Blue) — Airless Edition — Maxime Bichon
Saisir l’école avant qu’elle ne s’évanouisse — Maxime Bichon
Neglected Verticals — Maxime Bichon
Do you really (Pompidou) — Maxime Bichon
Le paysage comme soulagement — Maxime Bichon
Ask for Trouble Painting — Maxime Bichon
Ask for Trouble — Maxime Bichon

with Paul Maheke

The Cheapest University — Maxime Bichon
A Short Story — Maxime Bichon
Domestic Flight (From ORY to CAY) — Maxime Bichon
2014 — Maxime Bichon

2014
to Charlotte H.

Taking Care of Z — Maxime Bichon
How You Could Have Become a B.A.S.E Jumper — Maxime Bichon
B.A.S.E (fanzines) — Maxime Bichon
Champ élémentaire — Maxime Bichon
Undulating studio — Maxime Bichon
The Hotel is my studio — Maxime Bichon
i don’t want to be french anymore — Maxime Bichon
Pre—BASE — Maxime Bichon Pre—BASE — Maxime Bichon
Knowing less about our own situation — Maxime Bichon
Tea Paris — Maxime Bichon
Les Corrélats — Maxime Bichon
Grid Wave — Maxime Bichon
Yellow — Maxime Bichon
Desirably Situated — Maxime Bichon

Desirably Situated

Tea from Somewhere Else (Genova) — Maxime Bichon
Another Way of Staying Alive — Maxime Bichon

« — You should contact M. P. He is probably the best pastry chef in town.
— Yeah. And then we will eat the cake all together. »

Vermeer (étude) — Maxime Bichon

to John S.

La Réforme — Maxime Bichon
Time for Airports (from CDG to LBG) — Maxime Bichon

Time for Airports (from CDG to LBG)

Réconfort #1 — Maxime Bichon
Bandeau Vermeer — Maxime Bichon
Talweg — Maxime Bichon
Ryan Air — Maxime Bichon

to Julien L.

Sans titre (les nocturnes) — Maxime Bichon
Green flight — Maxime Bichon
Ciels (la réunion) — Maxime Bichon
Sans titre (l’entreprise) — Maxime Bichon
Paysage — Maxime Bichon
L’Embarcadère — Maxime Bichon
Sans titre (la plage) — Maxime Bichon
Rave Party — Maxime Bichon
Dans un coin, la remise — Maxime Bichon
Sergy Island — Maxime Bichon
Flaine — Maxime Bichon
21.02.2007 — Maxime Bichon
We do not really know at what time or at what moment
they precisely become dynamic.
A situation in which,
from my hands to yours,
from my mouth to your ears,
they are taking off, flying and landing.
We are clearly witnessing it and
experiencing it from all our senses
but the lack of knowledge
is what makes us stay alive.
From the plane, from the tongue or from the hill
— whatever the fixed object —
there is a free fall
(which we could also call autonomy).
The destination might be known,
although the duration of the journey is,
of course,
relative.
The darts, the banner or even the painting
are suddenly put into a state of abandonment.
This state is not really dangerous,
it's scary.
We fear it, and at the same time,
it's a source of delight,
since the Landscape is always a relief.
It might be why
we try to grip the sky and its colors,
to seize the mere intensity of the desert,
and to observe each step we go through
as if it were choreographed.
The others are as responsible as we are,
and we welcome them as much as possible.
The bench, the bleachers, and the chair
are there for them;
it is their sole purpose
(they are comfier that what they seem to be).
Tea will also help;
as usual.